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Carnegie Hall’s Opening Night Gala Berliner Philharmoniker

Carnegie Hall’s Opening Night Gala Berliner Philharmoniker

La forza del destino opens the doors of Carnegie Hall once again. Love is lost in despair, then confessed again. And the clown begins to speak: “You are about to witness not a play, but the story of real human blood and tears.” In the end, the road leads to

Between the Sounds — Feldman, Nørgård, Crumb, Kurtág

Between the Sounds — Feldman, Nørgård, Crumb, Kurtág

Daniel Shakes Time in Harlem

Daniel Shakes Time in Harlem

Listen Longer — Feldman’s Hidden Drama

Listen Longer — Feldman’s Hidden Drama

The Met’s New Macbeth — Power and Price

The Met’s New Macbeth — Power and Price

Mäkelä × Chicago: The Beginning — Shostakovich 4

Mäkelä × Chicago: The Beginning — Shostakovich 4

Changing Listening — Feldman & Brown at 100

Changing Listening — Feldman & Brown at 100

Festival

Carnegie Hall’s Opening Night Gala Berliner Philharmoniker

Carnegie Hall’s Opening Night Gala Berliner Philharmoniker

La forza del destino opens the doors of Carnegie Hall once again. Love is lost in despair, then confessed again. And the clown begins to speak: “You are about to witness not a play, but the story of real human blood and tears.” In the end, the road leads to

Between the Sounds — Feldman, Nørgård, Crumb, Kurtág

Between the Sounds — Feldman, Nørgård, Crumb, Kurtág

The Met’s New Macbeth — Power and Price

The Met’s New Macbeth — Power and Price

Mäkelä × Chicago: The Beginning — Shostakovich 4

Mäkelä × Chicago: The Beginning — Shostakovich 4

Changing Listening — Feldman & Brown at 100

Changing Listening — Feldman & Brown at 100

The Eco Sound System — Katherine Young’s BIOMES

The Eco Sound System — Katherine Young’s BIOMES

Beyond the 88 Keys — Daniel Schreiner Expands Our Listening

Beyond the 88 Keys — Daniel Schreiner Expands Our Listening

Deep Listening

Daniel Shakes Time in Harlem

Daniel Shakes Time in Harlem

“I feel that I am losing my sense of time,” pianist Daniel Schreiner told me. Daniel does not transcend time. He manipulates the piano's vibration, resonance, body, and space, revealing the present state of a work. As works from different eras pass through Daniel’s body and mind,

Listen Longer — Feldman’s Hidden Drama

Listen Longer — Feldman’s Hidden Drama

Second Modern / Rebecca Saunders

Second Modern / Rebecca Saunders

In Sound

In Sound

Deep Listening to the Abyss

Deep Listening to the Abyss

Rebecca Saunders

Second Modern / Rebecca Saunders

Second Modern / Rebecca Saunders

Modernism was an approach that sought new forms of expression through sound, developed by composers such as Schoenberg, Webern, Stravinsky, Varèse, Boulez, Stockhausen, and Ligeti. Schoenberg dismantled tonality and moved toward twelve-tone technique; Webern treated pitch, timbre, intensity, duration, and even the silence between sounds as compositional elements; Varèse

In Sound

In Sound