classicasobi

コンサートマスター、エシュケナジーのバイオリンソロやトゥッティで、バイオリンの箱の中がコーーーーーーーっと鳴っていた。物凄くすっきりします。 [https://classicasobi.com/caption] Jansons did the same program with Wiener Philharmoniker in 2005. Schoenberg's last work and the beginning of Mahler's Symphony No. 1 sounded connected when played consecutively. Makela used the Vienna Universal Edition. The string ensemble was lively and

Klaus returned to Carnegie Hall with the Concertgebouw. Last year’s Paris Philharmonic performance was too unruly to reveal his true self. How would he satisfy New York’s high standards? His stance at the podium reminded me of Rattle, and when he gripped the podium with his left hand,

Ten years after Nelsons first came to Boston in 2014, the Boston Symphony Orchestra now performs Mozart with remarkable richness. After the pandemic, they delivered deeply satisfying performances. Following The Abduction from the Seraglio, the audience, resting their heads with arms on the balcony railing on the second and third

Everybody in here is a soloist, even the audience. At this performance, the audience felt like soloists, too. Under Kirill Petrenko’s conducting, the orchestra combined energy and precision, and Vilde Flang’s violin playing was stunning. The program featured Rachmaninoff’s Isle of the Dead, Korngold’s Violin Concerto,

Mao came to Carnegie on Sunday afternoon. The first piece, Yashiro, felt like Mao himself. The high notes in the second half were just beautiful. I had the same feeling when Trifonov first came to Carnegie. I don't remember it well because Mao was so dazzling in front